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Creative ability. --- Inspiration. --- Poetry.
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Leadership. --- Inspiration. --- Organizational effectiveness.
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Ce livre de grande taille montre l’art égyptien comme il n’a jamais été présenté auparavant. Les chapitres conçus thématiquement (peinture, statues, objets, architecture) permettent de suivre l’évolution de cette civilisation à travers des photographies de détails reproduites en pleines pages. Ainsi est abordé de manière surprenante et inhabituelle l’ensemble du langage artistique des Egyptiens. Ce voyage à travers les signes sculptés, taillés ou peints dévoile une esthétique singulière qui ne cesse de passionner l’Occident. Un style à réinterpréter et à redécouvrir, notamment pour son influence sur l’art contemporain. Un court essai introductif relate la « fièvre égyptienne » ou égyptomanie qui s’empara des arts européens dans les années 1800 et au début des années 1900, et souligne la pérennité du style Egyptien jusqu’à aujourd’hui. Les images sont accompagnées de courtes légendes descriptives et de notes techniques.
Art, Egyptian --- Art égyptien --- Antiquité égyptienne --- Art egyptien --- Art égyptien --- Inspiration --- Egypte
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Art --- art [discipline] --- inspiration --- art theory --- ateliers [studios, organizations] --- artists' collectives --- interactive art --- cooperation --- Muze
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Patterns of Creativity reflects on the implications of recent neuro-science findings, evolutionary theory and linguistics for ideas about creativity and the practice of creativity. Kevin Brophy approaches questions of art and creation from-the-inside, that is as a poet himself. The conclusions about what it might mean to be a creative writer are counter-intuitive. What might it mean to understand the production of art as an evolutionary process with no endpoint and no goal? If consciousness is a minor player in decision-making and problem-solving as recent neuro-science findings suggest, how best might an artist manage conscious intentions while seeking to make original art? Brophy argues that consciousness must be managed in new ways if creativity is to be sourced, that much of what we learn in education is learned without consciousness being involved, that a writer must read with a particular agenda, that writing is itself a particular kind of communication beyond speech, requiring specific skills. He argues that the metaphor is not merely a poetic device but is central to the way human thought proceeds and the way communication happens. It is the strange and surprising view-from-within informed by those views science offers to art that preoccupy these investigations.
Creation (Literary, artistic, etc.) --- Creative ability. --- Creativeness --- Creativity --- Ability --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality
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Studies of the genesis of musical, literary, and theatrical works.
Creation (Literary, artistic, etc.) --- Arts, Modern. --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Modern arts
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Creation (Literary, artistic, etc.) --- Creative writing --- Writer's block. --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Writing (Authorship) --- Authorship --- Block, Writer's --- Inhibition --- Psychological aspects. --- Psychological aspects
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1 RICOEUR, PAUL --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Filosofie. Psychologie--RICOEUR, PAUL --- Ricœur, Paul. --- Lü-ko-erh --- Ricœur, P. --- Li-kʻo, Pao-lo --- ريكور، بول --- ريكور، پول --- Рикёр, Поль --- Rikër, Polʹ --- Ricœur, Jean Paul Gustave --- 1 RICOEUR, PAUL Filosofie. Psychologie--RICOEUR, PAUL --- Ricœur, Paul
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Gegenstand der Arbeit ist die Frage, was in der Zeit von 1450 bis 1750 als Dichtung begriffen wurde. Der erste Teil ist den Begriffen der Nachahmung und Gleichnishaftigkeit gewidmet und rekonstruiert die Rezeptionsgeschichte der aristotelischen "Poetik", deren Nachahmungsbegriff erst sichtbar werden konnte, als die Definition der Dichtung über Gleichnishaftigkeit, Exemplarizität oder ähnliche Konzepte in den Hintergrund zu treten begann. Mitte des 17. Jahrhunderts ersetzt der Begriff der Fiktion den Begriff der Nachahmung. Der zweite Teil der Arbeit rekonstruiert die Geschichte des Enthusiasmus, der von den neuplatonisch beeinflussten Autoren um 1500 noch als göttliche Inspiration verstanden wird. Aus theologischen Gründen wird mit der Reformation die Möglichkeit einer göttlichen Inspiration bestritten. Inspiration ist jetzt nur noch eine Metapher für Begabung. Daraus entwickelt sich die Deutung des Enthusiasmus als einer besonderen "Stimmung" des lyrischen Dichters. Damit schreibt die Arbeit die doppelte Geschichte des Begriffes der Dichtung, der in der Moderne einerseits die Fiktionalität als charakteristisches Merkmal bezeichnet, andererseits aber den spezifisch inspirierten Charakter der "Lyrik".
German poetry --- Poetry, Modern --- Poetics --- History and criticism --- History --- German poetry -- Early modern, 1500-1700 -- History and criticism. --- Poetics -- History. --- Poetry, Modern -- History and criticism. --- Poetry --- Fiction --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Theory, etc. --- History and criticism. --- Appraisal --- Evaluation --- Criticism --- Literary style --- German poetry - Early modern, 1500-1700 - History and criticism --- Poetry, Modern - History and criticism --- Poetics - History --- fictionality. --- inspiration. --- poetry.
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Authorship -- Study and teaching. --- Creation (Literary, artistic, etc.). --- Imitation in literature. --- Plagiarism. --- Plagiarism --- Imitation in literature --- Creation (Literary, artistic, etc.) --- Authorship --- Languages & Literatures --- Literature - General --- Study and teaching --- Authoring (Authorship) --- Writing (Authorship) --- Creative ability in art --- Creative ability in literature --- Literature --- Art --- Imagination --- Inspiration --- Creative ability --- Originality --- Quotation --- Literary style --- Mimesis in literature --- Originality in literature --- Copyright infringement --- Literary ethics --- Torts
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